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[citation needed], A 1989 recording on Jay Records that includes some songs from the film version and Timbuktu! Marsinah is sent to steal oranges in the Bazaar for their breakfast, while her father sits down to beg. As Jawan is led to his execution, the wazir realizes that the "powerful magician" has cursed him. Hajj jumps out of a window, leaving his coat behind him. For Kismet, the writers seized upon the music of Alexander Borodin, which they felt had a suitable exotic flavor and lush melodies.[3]. So as not to have lied to his prince, the wazir immediately marries Marsinah, promising to visit her that night. The production was re-broadcast on 13 August 2016. Jawan leaves for Baghdad to search for his son, and Hajj rejoices in his new-found riches ("Fate" (reprise)). It played over a year in Melbourne and Sydney. Columbia Masterworks Records recorded the original Broadway cast in late 1953; the recording was later reissued on CD by Masterworks Broadway Records. (Although one of the newly added tracks was called "Rhymes Have I," this was not the song by that title from the show, but a dialogue segment.) That night, at the caliph's diwan, the candidates for his hand dance for him: Princess Zubbediya of Damascus, Princess Samaris of Bangalore, and the three Ababu princesses. When the caliph enters the garden, his love is not there. Jawan is thrilled to see his son, but the Wazir sentences his own father to death. Jawan praises the power of the great magician, Hajj, a man who has the power to curse and uncurse. When the beggars object to the poet's taking Hajj's place, he claims to be a cousin of Hajj. Kismet premiered in Los Angeles and then moved to San Francisco in the summer and autumn of 1953. The London production opened with the three stars of the Broadway cast, Drake, Morrow and Diener. He sees, around the wazir's neck, a medallion that his son was wearing when he was captured. [1][20] The musical was revived in 2007 by the English National Opera at the London Coliseum and starred West End musical veteran Michael Ball, Faith Prince and Alfie Boe. Producer Dan Rivard and annotator Bruce Eder (who selected the tracks) did not simply add some bonus material to the original album; they went back to the film track itself and excerpted nearly 63 of its 113 minutes, including lots of dialogue and background music. The young caliph and his advisor, Omar Khayyam, have been traveling incognito. He takes a blank plaque and throws it in a pool, proclaiming that when it is retrieved, it will read the name of the caliph's fated bride. The quartet "This is My Beloved" was changed to a trio, because Sebastian Cabot, who played the Wazir, could not sing. Kismet is a musical adapted by Charles Lederer and Luther Davis from the 1911 play of the same name by Edward Knoblock, with lyrics and musical adaptation (as well as some original music) by Robert Wright and George Forrest. – Chief Policeman, Second Policeman, Prosecutor, Three Princesses of Ababu, Akbar, Assiz, Caliph and Omar, "Fate" (Reprise) – Hajj and Ladies of the Wazir's Harem, "Night of My Nights" – Caliph and Entourage, "Stranger in Paradise" (Reprise) – Marsinah, "Baubles, Bangles, and Beads" (Reprise) – The Caliph, "Was I Wazir?" Back in the city, the wazir of police comes through the busy bazaar ("Bazaar of the Caravans"). The wazir is informed by his spies that the caliph's bride has disappeared. The poet pleads that, as a poet and storyteller, the loss of a hand would cripple his career; it is the gesture that tells the story ("Gesticulate"). When the wazir sees he is gone, he clutches the cloak in amazement and faints. [10] The critic of Time magazine, punning on the name of the composer Borodin, disparaged the score as "a lot of borrowed din. The wazir has no need for evidence; he sentences Hajj to 20 lashes, and his right hand is to be cut off. They were subsequently replaced by Tudor Evans, Elizabeth Larner and Sheila Bradley, respectively. The Caliph tells Omar that he has fallen in love, which is overheard by the princesses of Ababu; they are furious that he seems to ignore them, but the Chief Policeman reassures them that "He's in Love". [12] Bloom and Vlastnik noted that it was the score that made the show successful, as the songs "Stranger in Paradise" and "Baubles, Bangles and Beads" were "huge hits on radio, television and records. Meanwhile, Marsinah has found a quaint little house with a beautiful garden to buy for her father and herself. The musical was made into a Cinemascope film in 1955 by MGM, directed by Vincente Minnelli and starring Howard Keel as Hajj, Ann Blyth as Marsinah, Dolores Gray as Lalume, and Vic Damone as the Caliph. "[9], Kismet was even more successful in London's West End, enjoying a 648 performance run at the Stoll Theatre commencing in April 1955. The wazir is distraught: if the caliph does not marry a princess of Ababu, the wazir will be ruined. A 1964 Decca recording was conducted by Mantovani with Robert Merrill (Hajj), Adele Leigh (Marsinah), Kenneth McKellar (Caliph), Regina Resnik (Lalume), Ian Wallace (Wazir) and The Mike Sammes Singers. as bonus tracks was conducted by John Owen Edwards with Donald Maxwell (Hajj), Valerie Masterson (Marsinah), David Rendall (Caliph), Judy Kaye (Lalume), Richard Van Allan (Wazir), Bonaventura Bottone and Rosemary Ashe. Bloom, Ken; Vlastnik, Frank; Orbach, Jerry. A successful change during the tryouts was to transform the character of Hajj from being merely a beggar to also being a poet. Hajj and Lalume are discussing a trip to a "small oasis, a week's travel by camel" when Marsinah enters the Harem. His beautiful daughter Marsinah joins in the sales pitch, but they have no success ("Rhymes Have I"). Fifteen years ago, the real Hajj had placed a curse on Jawan that resulted in the disappearance of the brigand's little son. The Chief recognizes, on the coins, the crest of a family Jawan has robbed and arrests Hajj as a thief. [17] In 1994, BBC Radio 2 broadcast a complete production starring Ethan Freeman as Hajj, Julia Migenes as Lalume, Stephen Hill as the Caliph, Katrina Murphy as Marsinah, Frank Middlemass as Omar Kayyam and David Adler as the Wazir, with the BBC Concert Orchestra, conducted by Kenneth Alwyn. †Wright and Forrest composed the music for the bridge in "Stranger in Paradise" as well as the music for "Rahadlakum." They promise to meet again in the garden at moonrise. Two new songs were written for the production: "Since the Beginning, Women" and "Golden Land, Golden Life."[16]. The musical was first produced on Broadway in 1953 and won the Tony Award for best musical in 1954. Fine Rhymes! The music for the latter was originally used in the Wright and Forrest song "I'm Going Moroccan for Johnny."[5][6][7]. Through their amah, the princesses tell Lalume that they wish to return home. She is admiring the garden when the Caliph slips in and, pretending to be a gardener, introduces himself to her. and "He's in Love," while adding a new number for one of the stars, "Bored," sung by Dolores Gray. The lovely Lalume, attracted to the handsome poet, begs her husband for forgiveness, but the Wazir is not convinced and orders his guards to drag Hajj off to punishment. When the wazir enters the pool, Hajj trips him and holds him underwater until he drowns. It was cut but has been included in later productions and the 1991 studio recording. Thus, the soundtrack to Kismet remained inferior to the Original Broadway Cast album, despite boasting an unusually strong-voiced cast itself, led by Howard Keel and including Vic Damone (who got to sing "Stranger in Paradise") and Ann Blyth ("Baubles, Bangles and Beads"). "For the leading judge of Mesopotamia to have as a father the leading criminal of Mesopotamia," he says, is "a disturbing thought.". Hajj enters and tells her of his situation and says that they must flee immediately to Damascus, but Marsinah refuses to go. He rejoices at the power he wields, by having a magician as Emir ("Was I Wazir?"). series presented a staged concert in February 2006, starring Brian Stokes Mitchell and Marin Mazzie. A 1955 film version was produced by Metro-Goldwyn-Mayer. The caliph is ready to pardon Hajj for his murder of a public official, but the poet requests, as his punishment, to be "banished to some dreadful oasis ... at least a week's journey away by camel," and to be made to comfort the wazir's widow in her "grief". ", a poet enters to sell his verses. As the two couples unite, the poet reflects on the fleetingness of "The Sands of Time". Inside, Marsinah thinks only of her gardener ("Stranger in Paradise" (reprise)). Thirty-five years after the 1955 release of the movie adaptation of the Broadway musical Kismet (and of its corresponding soundtrack LP), it had become, along with other MGM properties, the possession of SBK Record Productions, Inc., which contracted with CBS Special Products for the assemblage of a new, expanded soundtrack album. Bill Johnson later took over the role of Hajj, and Elaine Malbin the role of Marsinah. ), Kismet~Dance of the Three Princesses (Not Since Nineveh). He instructs Lalume to keep his new Emir happy, and she is eager to comply ("Rahadlakum"). The music was mostly adapted from several pieces composed by Alexander Borodin. The show opened on Broadway in the midst of a newspaper strike,[9] and since newspaper reviews were unavailable, the producers used television advertising to promote the show. Hassen-Ben, a huge man from the desert, mistakes him for Hajj and kidnaps him. When the wazir returns, Hajj sings a mystic-sounding invocation to fate as the slave-girls dance wildly, distracting the wazir. Hajj is searching for Marsinah; the wazir thanks the "wizard" for placing the caliph's beloved in his own harem. She departs in the opposite direction. It is melodic and gay". He concludes that this is a result of Hajj's curse and begs Hajj to reverse the situation, promising him a reprieve and the title of Emir. [14][15], The musical was revived at Lincoln Center's New York State Theater, starting on June 22, 1965, for 39 performances and starring Drake, Lee Venora, Anne Jeffreys, and Henry Calvin. Kismet is set in a fictional Baghdad in the times of The Arabian Nights. [22], 1953 US musical by Charles Lederer and Luther Davis, Ouzounian, Richard. They fall in love on the spot ("Stranger in Paradise"). At the same time, the caliph, in the next room, orders the wazir to find his love ("And This Is My Beloved"). Charles Lederer became producer as well as book writer. The production moved to Broadway on December 3, 1953, playing at the Ziegfeld Theatre. Now he wants the curse removed. The evil wazir and his seductive, beautiful wife-of-wives, Lalume, discuss a loan he desperately needs. Hajj gives his daughter half of the money and leaves. 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